Unwrapping the Mystery: Deciphering the Decision to Leave’s Ending
Park Chan-wook established a reputation for himself by making cult masterpieces and promoting his nation’s film industry before Korean cinema and culture swept the western hemisphere. Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance, his 2002–2005 “Vengeance Trilogy” that revisited the European vengeance picture with the backdrop of 21st century globalisation, made him a well-known […]
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