Aurélia Marceau is the famous French mime Marcel Marceau’s daughter.
She has won accolades at prominent shows all around the world for her acting, performing, and artistic abilities.
On social media, her intriguing work has a devoted audience. Marcel Marceau, who was born on March 22, 1923, in Strasbourg, France, personifies creativity and artistic talent.
He rose to become one of the most well-known actors and mime artists in history.
He had an impact on a lot of artists, notably his daughter Aurélia Marceau.
Now an adult, Aurélia Marceau is living her own life and pursuing her own artistic career.
She has gained notoriety for her creative works, which include LGBTQIA+ Power Couples of Hollywood, pictures, and production art.
Websites like IMDb and TVShowStars.com feature her work.
Aurélia Marceau Early life
In Strasbourg, France, Marcel Marceau was born into a Jewish family. Father of Charles Mangel, a native of Bdzin, Poland, was a kosher butcher. His mother, Anne Werzberg, was born in Yabluniv, Ukraine.
During the Nazi invasion of France, 17-year-old Marcel and his family relocated to Limoges. His cousin Georges Loinger, a member of the French Jewish Resistance, pushed him to join in order to assist in the rescue of Jews during the Holocaust.
The OJC (consisting of nine underground Jewish networks) helped thousands of adults and young Jews survive World War II in France.
He pretended to be an employee at the school that Yvonne Hagnauer directed and attended classes at her home in the suburbs of Paris.
Hagnauer eventually received Yad Vashem’s designation as Righteous Among the Nations. The Gestapo murdered Marcel’s father in 1944 and sent him to the Auschwitz concentration camp. Mother Marcel is still here.
In honour of François Séverin Marceau-Desgraviers, a general in the French Revolution, Marcel and his elder brother Alain adopted the surname “Marceau” during the German occupation of France. The two brothers enlisted in the Resistance in Limoges, France.
In the context of the Jewish Resistance in France, they rescued numerous children from the racial laws and concentration camps before enlisting in the French army when Paris was liberated.
Marceau, who commanded in three languages—English, French, and German—served as a liaison officer for General George Patton’s Third Army.
Marceau states that when he was five years old, his mother took him to see a Charlie Chaplin movie, and that this experience motivated him to seek a career in mime.
After the French invasion, when he sought to occupy Jewish children to enable them escape to safety in impartial Switzerland, he first tried mime.
He enrolled in Charles Dullin’s School of Dramatic Art at the Sarah Bernhardt Theatre in Paris following the conclusion of World War II in 1945, where he studied under eminent performers and directors such Joshua Smith, Étienne Decroux, and Jean-Louis Barrault.
Aurélia Marceau Career
Antoinette Marceau Career Shortly after joining Jean-Louis Barrault’s troupe, Marceau was given the humorous role of Arlequin in the movie Les Enfants du Paradis.
Praxitele and the Golden Fish, Marceau’s first “melodrama,” debuted at the Bernhardt Theatre that same year, mostly as a result of the praise Marceau received for his performance in another play that year.
Marceau’s reputation as a great mime artist was confirmed by the enormous appreciation he earned.
As Bip the Clown, Marceau made his stage debut in 1947 at Paris’ Théâtre de Poche.
He added some finishing touches with a striped jumper and a vintage silk opera hat. The same way that Charlie Chaplin’s “Little Tramp” developed into an alter ego, this man’s costume allowed him to assume a different identity.
Bip never stopped travelling; he went to bars, eateries, ships, and trains, and he saw everything from butterflies to lions. The best pantomime performer ever was Marceau.
Charlie Chaplin was the only silent film actor to utilise mime, according to Marcel Marceau, who praised Chaplin for his groundbreaking work in a statement to TV personality Todd Farley.
The Cage, Walking Against the Wind, The Mask Maker, and In the Park are a few examples of his wordless mimed exercises that have evolved into noteworthy performances.
Reviewers dubbed the author a “genius” for making fun of everyone from painters to matadors.
He does in under two minutes what most novelists cannot in volumes, according to one critic of Youth, Maturity, Old Age, and Death, which is known for its synopsis of the ageing process in humans.
When used properly, silence may hold listeners’ attention and inspire awe just as well as music that evokes humour, tragedy, or romance.
It can also reveal our most secret fears, goals, and wants, setting the stage for a whole drama.
In 1949, Marceau established his mime company, Compagnie de Mime. Marcel Marceau was awarded the Deburau Prize, named in honour of the 19th-century mime master Jean-Gaspard Deburau, after his second melodrama, Death before Dawn.
The foursome has performed on some of the oldest stages in the world, including the Bernhardt Theatre, Le Théâtre des Champs-Élysées, and the Le Théâtre de la Renaissance in Paris.
He displayed his melodramas for a full year in 1959 and 1960 at the Amibigu Théâtre in Paris, which included The Overcoat by Gogol. Along with The Three Wigs, The Pawn Shop, 14 July, The Wolf of Tsu Ku Mi, Paris Cries, Paris Laughs, and Don Juan, he also contributed to other melodramas.
The successful journey of Aurélia Marceau’s life
The prosperous course of Aurélia Marceau’s life Marceau performed his “art of silence” (L’art du silence) presentations all over the world. In 1955, he made his North American debut at Canada’s Stratford Festival, although only a small percentage of educated people were familiar with him.
His debut appearance at the Phoenix Theatre in New York earned such positive reviews that he was forced to move to the bigger Barrymore Theatre to accommodate the audience’s demand.
Record-breaking returns to sold-out venues in significant American cities including San Francisco, Chicago, Washington, D.C., Philadelphia, and Los Angeles marked the end of this band’s maiden tour of the country.
From South America to Africa, Australia to China, Japan to South East Asia, Taiwan to Russia, and finally Europe, he travelled.
He made a tour of the United States in 2004, went back to Europe in 2005, and went to Australia in 2006. He was undoubtedly the world’s best mime. Learning from the Life and Work of Marcel Marceau.
A larger audience was introduced to Marceau’s work because to his many television appearances.
He was a well-known performer on television in addition to his one-man performance “Meet Marcel Marceau,” which he presented on the Max Liebman, Mike Douglas, and Dinah Shore shows. He appeared alongside Red Skelton in three pantomime concerts.
In films like Barbarella (1968), First Class (1970), and Shanks (1974), Marceau also shown his versatility by playing both a mad scientist and a deaf and dumb puppeteer. Both films featuring Klaus Kinski were Joseph’s Gift (1998).
He had a brief role in the low-budget film Paint It White, which was loosely based on his life.
The Story of Bip and The Marcel Marceau Alphabet Book are two children’s books that Marceau wrote and illustrated, among other works.
In 1974, he posed for the artist Kenneth Hari, and the resulting works of art may be found in a number of museum collections as well as a book.
Under the title Le Troisième il (The Third Eye), ten of his original lithographs were published in Paris in 1982. Marceau wrote the introduction.
Pimporello was issued in 1987 by Belfond in Paris. Bip in a Book, a brand-new children’s picture book written and illustrated by Stewart, Tabori & Chang, debuted in bookshops in the United States, France, and Australia in 2001.
Students may study mime for two years with one of five instructors, along with fencing, acrobatics, ballet, and other activities.
An international school for mime was established in 1978 and is called the École Internationale de Mimodrame de Paris, Marcel Marceau. In 1996, he founded the Marceau Foundation to promote mime in America.
Aurélia Marceau: Personal life
Marceau’s two sons were born to his first wife, Huguette Mallet; he later wed Ella Jaroszewicz, but the union was barren of progeny.
His two daughters Camille and Aurélia were born from his third marriage to Anne Sicco.
performer with a strong background in mime Paulette Frankl’s memoir, Marcel & Me: an Account of Love, Lust, and Ignorance, about her decades-long relationship with Marceau, was released in August 2014.
Marcel & Me: A Memoir of Love, Lust, and Illusion is the name of the book.
Aurélia Marceau: Death
Marceau went suddenly at a retirement home in Cahors, France, on September 22, 2007, when he was 84 years old.
At Marceau’s funeral, the sarabande from Bach’s String Suite No. 5 was performed. and the second movement of Mozart’s Piano Concerto No. 21, which Marceau frequently used as the background music for a superb mime routine.
The Père Lachaise Cemetery, which is in the Parisian metropolis, is where Marceau was buried.
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